Almost two years ago I shared some thoughts on what it was like to come into the beauty and fullness of a place when your own such place was lacking (you can read that post here). Now I have returned again, this time to Koinonia Farm in Americus, GA. And as I knew at the time, it is a lot easier to be here now that my own house, if not built, at least is not totally a dream. As with my return to Brunnenburg in Italy, I can see that I came here for the sake of who I would someday be. My current self in March 2010 should actually have probably taken the spring break trip to the desert in Arizona to volunteer on the border. I even knew at the time that the trip to the desert would be a funner and more rewarding use of my last break in college, but in spite of that I submitted myself to some other logic. I did not live as my present self because I was so devoted to becoming the person who I would someday be, in many ways the person who I am now. All I wanted was my house, my someday, my shelter and place in the world, and I did anything that might get me closer to that point.
So what happens once the house is built?
I have a Jewish community now, one where at least some folks know my name and who I am, and where I can go with my questions and my confusion and my need to learn. I have land: fifteen acres in Pepin County, Wisconsin, plus the use of forty-six more which are still owned by my in-laws. I am married now, and the relationship I felt I had to fight for over the last nine years is now blessedly peaceful and stable. So many of the things I struggled with as I tried to walk my path as a Jew in Plain Dress have now fallen into their place. I have succeeded, by and large, with becoming the person I wanted to be at the time I started this blog. I am still a Jew. I still wear almost the exact same form of plain dress as I did then. I just don't have to explain myself as much any more. I know who I am, and I am who I want to be.
And so, as I return to the beautiful house of my friend, I look at it differently. I am no longer moved to tears from yearning. At the same time, the draw to enter into this beautiful house is less strong than it was those years ago. Because I have a house of my own, even if it is not a complete and lovely house, I am in less need of shelter than I was before. And so this home, this community, is less overwhelmingly beautiful to me because the need it speaks to is less acute. I still find it lovely, but I finally have a bit of context to see it through.
I think I am less of a bridge builder than I was before. I think I have moved too far inland.
Thursday, December 15, 2011
Tuesday, March 8, 2011
To Return
I'm sitting now at the table outside the Croft—the centuries old farmhouse that serves as the student dorm for the study abroad program at Brunnenburg I went on went on in the spring of 2009. The program is unlike any other study abroad offered at my college: instead of being immersed or semi-immersed at a university in a foreign city, students go to a castle outside the small village of Dorf Tirol in the Sudtirol (or Alto Adige) region of Italy, where the native language is German dialect. There they take classes in English with the daughter and grandson of the poet Ezra Pound, on Pound's Cantos, Medieval Saints and Heroes, and Agro-Archeology. Needless to say, it is a very unique program, with only three colleges from the US participating.
I left this region in the spring of my Junior year ready to return to the States, where Geoffrey and I would soon be engaged and living on his parent's farm in Wisconsin, building a cabin that is still unfinished. While I was at Brunnenburg I had struggled to get along with the other seven students on my course, and I had been profoundly unchallenged by the courses. I had dealt with my boredom by writing: I wrote about three hundred pages on my novel (one and a half drafts) in three months. Nonetheless, the isolation and social strain left me wounded by this time. I did not think I would return any time soon.
But when we planned our trip to Israel and decided—since we were so close, after all—that we ought to spend some time traveling in Europe together, I was excited to return. I wanted to show Geoffrey everything: the apple orchards that march up the rugged sides of the mountain, the distinct post-and-beam houses, and most of all Brunnenburg. This place, as well as being a "campus" for students from the states, is also an agricultural museum. Every wall and every available flat surface is covered with hand tools, baskets plows, wagons—an unimaginable wealth of local handiwork.
But what I found when I returned was that in the act of returning, I learned how deeply I loved this place. When I had been here before it had not been the right place for me at the time, but I had gone for my future self. And now, returning and seeing it all again, I felt a profound gratitude to that past self for that effort. I had grown into an understanding of the place I was not ready for at the time I had come to it, but could appreciate now, and which I imagine I will only grow to love more as time passes.
I left this region in the spring of my Junior year ready to return to the States, where Geoffrey and I would soon be engaged and living on his parent's farm in Wisconsin, building a cabin that is still unfinished. While I was at Brunnenburg I had struggled to get along with the other seven students on my course, and I had been profoundly unchallenged by the courses. I had dealt with my boredom by writing: I wrote about three hundred pages on my novel (one and a half drafts) in three months. Nonetheless, the isolation and social strain left me wounded by this time. I did not think I would return any time soon.
But when we planned our trip to Israel and decided—since we were so close, after all—that we ought to spend some time traveling in Europe together, I was excited to return. I wanted to show Geoffrey everything: the apple orchards that march up the rugged sides of the mountain, the distinct post-and-beam houses, and most of all Brunnenburg. This place, as well as being a "campus" for students from the states, is also an agricultural museum. Every wall and every available flat surface is covered with hand tools, baskets plows, wagons—an unimaginable wealth of local handiwork.
But what I found when I returned was that in the act of returning, I learned how deeply I loved this place. When I had been here before it had not been the right place for me at the time, but I had gone for my future self. And now, returning and seeing it all again, I felt a profound gratitude to that past self for that effort. I had grown into an understanding of the place I was not ready for at the time I had come to it, but could appreciate now, and which I imagine I will only grow to love more as time passes.
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